IWSG: Hero or Villain?

It’s time for another group posting of the Insecure Writer’s Support Group! founded by Alex J. Cavanaugh. Time to release our fears to the world – or offer encouragement to those who are feeling neurotic. If you’d like to join us, click on the tab above and sign up. We post the first Wednesday of every month. Your words might be the encouragement someone needs. You can also join us on twitter using the hashtag #IWSG, or on the Facebook page.

Now, IWSG hosts have changed up the format in an effort to make it more fun and interactive.Every month, they will announce a question that members can answer in their IWSG Day post. These questions may prompt you to share advice, insight, a personal experience or story. Include your answer to the question in your IWSG post or let it inspire your post if you are struggling with something to say. 

Don’t forget to visit others that day to see their answers. Want to join, or learn more? Visit our - Sign-up List.

MARCH QUESTION: Whose perspective do you like to write from best, the hero (protagonist) or the villain (antagonist)? And why?

MY ANSWER: I've enjoyed both at different times. Sometimes, they have ended up being the same person: hero and villain.

Whose perspective do you like to write, or read, from the best?

3 Ways to Surprise Your Reader with an Unexpected Villain

You don’t want your stories to be too obvious, or your reader won’t finish them. The audience needs to be challenged and surprised to want to continue reading. One of the best ways to do this is to camouflage your villains.

I’ve written several times about strengthening my own villains, and techniques I’ve used to show the antagonists deceit, cunning, and manipulation. The truth is, you don’t always recognize the bad guy – in real life or in fiction. The ones who surprise you can often be the scariest ones of all. Remember that when creating your own tale.

Here are a few ways to hide your villain in plain sight so you can surprise, thrill, and excite your reader. WARNING – Possible spoilers may be offered as examples.

1)      Charming and lovable – how often do we hear people on the news claiming “he was a likable guy” or “we never would have thought him capable of...” Most forms of evil have an appealing coating. Very seldom is it visually evident such as in a cartoon. You usually can’t tell a person is bad right away because they have learned how to cover their goals with social skills, good looks, or carefully designed acts to impress. They have learned to make themselves likable or lovable when they are really cruel, selfish, and even downright wicked. When you create your own villain, what is their goal and what would they do to ingratiate themselves to achieve that end? Think of Hans in Frozen or Loki in Thor.

2)      Friend not foe – readers don’t usually expect the villain to be close to the hero. Certainly, they don’t expect it to be someone who has been helping the hero up to this point. Ulterior motives can often put the bad guy in proximity of, if not outright partnering with, the main character. This villain might be a mentor, friend, or family member. Readers shouldn’t be able to see the hidden agenda until the reveal. Think about Magneto’s character in the X-Men universe or the end of Doctor Strange.

3)      Harmless or Incompetent – the bumbling and clumsy idiot, fool in a wheelchair, or victim in a coma can’t possibly be the villain, right? WRONG! We expect the bad guy to be strong, or at least able-bodied. However, don’t forget they are deceitful. Of course they will “hide in plain sight”. Think about Unbreakable or the Harry Potter and the Sorcerer’s Stone.

Remember, the best villains have learned to become whatever suits their purpose best. These dark crusaders of injustice can appear kind, heroic, or inept. The more your reader likes you character, the less likely they will be to recognize them as a villain until the end. They won’t want them to be the bad guy, but it will make sense once they see the whole picture.

Have you ever read a book, or watched a movie, where the identity of the villain totally surprised you? Which one was your favorite?

3 Goals for Creating Better Villains

About a month ago I wrote a post called Crafting the Villain. In it, I mentioned the three types of villains I found most interesting and briefly discussed my own goals in creating better villains. 

Today, I thought I would share three goals I’ve been attempting to follow when fleshing out my manuscripts this month.

     1.      Give the villain purpose – their goal should be noble in their own minds and both believable and understandable if not outright condoned by the reader. They can’t just exist to be against the hero. Why are these two on opposing sides? What led them to make the villainous choices? Are they a more noble villain such as Robin Hood who steals from the rich to save the poor? Or are they motivated by betrayal such as in the Disney reimagining of Maleficient? Remember, your villain believes they are in the right. Making their intentions logical and relatable even when corrupt or unjust creates a complicated and interesting situation. The lines between good and evil will blur. The reader may well find themselves rooting for the villains success even as they root for the hero to prevail.

2.      Make them human – even if they possess out of this world powers or abilities, they should be relatable. They have emotions, quirks, and struggles, just like your other characters. No one was always 100% evil. Think about Anakin Skywalker: “there is still good in him”. Or Frankenstein’s monster. Even after the most hideous crimes, they were still capable of a selfless act and audiences wanted them to succeed. Why? Because they were relatable. Their loneliness, depression, and mistakes endeared them to us. If your villain is a group instead of an individual, choose an individual to represent the larger corporation or government body. That representative becomes your humanizing influence.

     3.      Make them create conflict – of course intentionally, but I like the idea of unintentional as well. Whether your antagonist is simply a liar and a cheat, or an outright mass murderer, decide early on how they contradict the hero’s goal(s). Then decide how badly your villain craves their own goal? Is it enough to hurt a few others, unlimited numbers, or even their own loved ones? Every villain has something or someone they care about and would save. What is your villain’s? What happens when their goal costs them what they treasure most? Think of Loki after his mother dies.

Most writers focus on how the stakes affect the hero, but what about the stakes for the villain? How do these circumstances affect their loved ones, or the fate of the world? Great villains are just as complicated, relatable, and even likable as the heroes. That’s what makes them memorable.

Who are some of your favorite villains? Why?

Crafting the Villain

It's confession time. I've been guilty of ignoring the bad guy.

A few years ago I realized why I wasn't happy with my fiction. I had been guilty of creating flat villains. They were simply in the story so the hero/heroine had an enemy. However, there wasn't a whole lot to them. They were boring, cardboard creations for my protagonists to react to. That's it.

There's an old saying that actors would much rather play the bad guy than the good. Why? Because they can be just as, if not more, interesting and in depth than the hero. The same can certainly be said of writing stories as well.

I began reading specifically to study villains. I soon realized there were three types of antagonists I found the most interesting.

1) The villain as the complete opposite of the hero - this could be in looks, experiences, preferences, or abilities.
2) A villain who is just like the hero except with one major difference. This shows how easily the protagonist could have become the villain, or how close the antagonist came to being the hero.
3) The hero and villain is one character. "Every villain is a hero of his or her own story" - Christopher Vogler in The Writer's Journey.

I tried to keep all of this in mind when I created my short story "Broken Angel." I was so pleased with the outcome that I've dedicated myself to crafting better villains. I'm revisiting old manuscripts that I felt were weak so that I can flesh out the villains side of the tale.

I have a few ideas for new stories as well, and it's difficult to focus on one at a time. However, I'm too excited about the possibilities now to give up. So, I'm diving into villainy to save my manuscripts.

How about you? Have you been guilty of ignoring your villain? Who are some of your favorite villains?